« Betrayed! | Main | VeronicaMarsTalk »

April 30, 2007

Heroes Yammer

And tonight we have:

String Theory. Hiro and Ando find themselves five years after the destruction of New York City. People with extraordinary abilities are labeled as terrorists and are being registered, hunted, and killed. Hiro and Ando meet up with darker versions of the other heroes in preparation for a showdown with the President. This includes a darker side of Matt, a Jessica/Niki with a clear winner in their battle, a brown-haired Claire, and a man named Andy, who's a big hearted Texan. It also features an event at an upscale gentleman's club.

Comments

Feed You can follow this conversation by subscribing to the comment feed for this post.

Now THAT'S good television.

Whoa.

A question:

Future Hiro says that he stabbed Sylar, but Sylar regenerated because he had absorbed Claire's healing ability (thus his message to Peter about saving the cheerleader to save the world). But then we see that Claire isn't dead; Sylar didn't kill her. So where did Sylar get the ability to regenerate from Hiro's sword attack?

That's a good question. Anyone?

Do we know for sure that that's how Sylar survived? I need to rewatch this one.

When are we gonna see a superspeedster? If we count the nuclear man as a generic "ray emitter" I think speedster is about the only (feasable) broad category that we haven't seen.

"Grows/Shrinks" and "Has Weird Appendages" probably aren't in the Heroes aesthetic and/or budget.

Future Hiro says, "I stabbed him, but he regenerated." Ando says, "Because he absorbed the cheerleader's power," and future Hiro says, "Exactly."

Whether this qualifies as "for sure" or not, I can't say.

Hmm. Do the timelines work if there's a Back-to-the-Future style propogation of change thing going on? Specifically:

Original timeline: Sylar kills Claire; later, Hiro travels back to warn Peter. This creates the new timeline, which we have been watching. Hiro can jump forward to the dark future, where Claire is alive because that has already happened in the present; but the change hasn't reached bomb-day yet, so that currently happens as before.

Oh, I don't know. It was AWESOME, though. If this doesn't win a Hugo next year, it will probably only be because the season finale is better.

Thanks for that link, Niall. So basically, saving Claire changed the timeline sufficiently that no one tried to stab Sylar, and he never needed to regenerate; future Hiro's memory of stabbing Sylar has become obsolete.

Post a comment

My Photo

Read Read

  • E. Lockhart: Disreputable History of Frankie Landau-Banks, The

    E. Lockhart: Disreputable History of Frankie Landau-Banks, The
    You might think the world doesn't need any more boarding school novels, but if you haven't read this one then you're wrong, wrong, wrong. E. Lockhart has surpassed herself with this fable of a girl coming into her own and challenging the boy's club at her prep school -- while falling in love with its members at the same time. Lockhart never simplifies or skirts gender issues and power dynamics, and lets Frankie be realistic instead of a treatise disguised as a character. The sly omniscient narrator tells the story perfectly, and leaves hope that maybe one girl can change the world. More novels as funny and true and perfect as this one, please.

  • Kathi Appelt: The Underneath

    Kathi Appelt: The Underneath
    Appelt's first novel is a beautiful, magical fantasy for younger readers that will instantly become a classic. Seriously. I can imagine this book being in classrooms right alongside Charlotte's Web in a hundred years. The writing is poetic in the good way, and there's a lamia. Children are going to absolutely fall in love with Appelt's equally kind and brutal universe, where love conquers most, and it can take millenia to come to your senses.

  • Jincy Willett: The Writing Class

    Jincy Willett: The Writing Class
    With her second novel, Willett matches the perfect pitch and execution of her brilliant short stories. Every writer will want to read this novel--very little wincing is involved, but expect a great deal of laughter. C and I found ourselves reading pieces aloud, after howling provoked the "what's so funny?" question. As with any good writing workshop or class, the characters become more appealing as you get to know them, and ultimately what she has pulled off is a satisfying mystery, and a satisfying exploration of humanity. Amy Gallup is a character to remember.

  • Karen Joy Fowler: Wit's End

    Karen Joy Fowler: Wit's End
    A new novel by Karen Fowler really is something to be excited about, unlike many of the writers for whom such praise gets bandied about. (If you're smirking because you think you know something about her work from the title--not the book--The Jane Austen Book Club, please go sit in the corner and read any of her novels. You're welcome.) This is an unmystery-like mystery, concerned not so much with dead bodies--though there are plenty--as with the mysteries of healing and the heart, politics and people. How is it that a writer gets a lens on the present that's as revealing as the one she employs in historical fiction? Now that's a mystery. Highly recommended.

  • Steve Erickson: Zeroville

    Steve Erickson: Zeroville
    Steve Erickson novels are often like dreams, or revelations, or discovered artifacts, or written just for you. Zeroville's no different, although it is perhaps the most readily graspable example of his work to date. The Rosetta Stone is there; the secret decoder ring is a film projector. The dizzying Hollywood confidential stylings will make your inner film geek happy, but the uncovering of a truly mythic cinematic story--since cinema has existed forever--of sacrifice and redemption is even more memorable. See also: this review.

  • Ursula Dubosarsky: The Red Shoe (Neal Porter Books)

    Ursula Dubosarsky: The Red Shoe (Neal Porter Books)
    Set in Sydney during WWII, this wonderful novel travels between the view from inside each of three sisters. Dubosarsky perfectly captures the differences that come from being the younger, older, or middle child. Perfectly conjuring the period, and yet creating a completely accessible story, the narrative contrasts chapters focusing on the family with interstitials from the Sydney newspapers of the time, stories of polio, the H-bomb, and a defecting Russian spy (who happens to be in hiding next door). Nothing here is heavy-handed. Everything is perfectly balanced. It's a beautiful, beautiful novel. See my full take here.

2008 Reading List

Send Me Books

  • G. Bond

    P.O. Box 1304

    Lexington, KY 40588-1304

Picture This

  • www.flickr.com
    This is a Flickr badge showing public photos from gwenda. Make your own badge here.

Friend Me

Tribe

Tip Jar

It All Helps!

Tip Jar