Shaken & Stirred: Bad News Blues

September 01, 2006

Bad News Blues

Word of the latest casualties in the Village Voice evisceration is traveling this morning, and it appears that book review editor Ed Park is no longer there. A shame, that. Park's reviews were always thoughtful and on target and his impeccable taste meant good books from all over the place got covered. The NYT has this:

Ed Park, a senior editor in charge of the books section who said he learned by telephone on Wednesday that he was being let go, said he was “shocked and insulted” by the firings. But, he said, “I could see that this was coming,” in part because of talk of centralized arts coverage. He added that Village Voice management had an “attitude of disdain for what I thought were the strong points of The Voice. It was a swaggering attitude that their chain of papers were so good and The Voice was an embarrassment and we have to get up to their level somehow.”

Here's hoping Park lands somewhere prominent quickly and that the people who made this decision experience stabbing pains all day. And Jenny Davidson says he's working on a brilliant novel, which is a bit of good news in with this very bad stuff (see link below).

Posted at 06:20 AM in Books | Permalink

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This is indeed terrible news. A foolish move by mergers and acquisitions. Talents like Ed Park are exceedingly rare in any millieu and the Voice is betraying its cultural legacy by shitcanning him.

Posted by:ed | September 01, 2006 at 10:16 AM

That sucks! I like Ed a lot--a really nice guy. (And a very good fiction writer).

JeffV

Posted by:Jeff VanderMeer | September 01, 2006 at 12:02 PM

Read Read

E. Lockhart: Disreputable History of Frankie Landau-Banks, The
You might think the world doesn't need any more boarding school novels, but if you haven't read this one then you're wrong, wrong, wrong. E. Lockhart has surpassed herself with this fable of a girl coming into her own and challenging the boy's club at her prep school -- while falling in love with its members at the same time. Lockhart never simplifies or skirts gender issues and power dynamics, and lets Frankie be realistic instead of a treatise disguised as a character. The sly omniscient narrator tells the story perfectly, and leaves hope that maybe one girl can change the world. More novels as funny and true and perfect as this one, please.
Kathi Appelt: The Underneath
Appelt's first novel is a beautiful, magical fantasy for younger readers that will instantly become a classic. Seriously. I can imagine this book being in classrooms right alongside Charlotte's Web in a hundred years. The writing is poetic in the good way, and there's a lamia. Children are going to absolutely fall in love with Appelt's equally kind and brutal universe, where love conquers most, and it can take millenia to come to your senses.
Jincy Willett: The Writing Class
With her second novel, Willett matches the perfect pitch and execution of her brilliant short stories. Every writer will want to read this novel--very little wincing is involved, but expect a great deal of laughter. C and I found ourselves reading pieces aloud, after howling provoked the "what's so funny?" question. As with any good writing workshop or class, the characters become more appealing as you get to know them, and ultimately what she has pulled off is a satisfying mystery, and a satisfying exploration of humanity. Amy Gallup is a character to remember.
Karen Joy Fowler: Wit's End
A new novel by Karen Fowler really is something to be excited about, unlike many of the writers for whom such praise gets bandied about. (If you're smirking because you think you know something about her work from the title--not the book--The Jane Austen Book Club, please go sit in the corner and read any of her novels. You're welcome.) This is an unmystery-like mystery, concerned not so much with dead bodies--though there are plenty--as with the mysteries of healing and the heart, politics and people. How is it that a writer gets a lens on the present that's as revealing as the one she employs in historical fiction? Now that's a mystery. Highly recommended.
Steve Erickson: Zeroville
Steve Erickson novels are often like dreams, or revelations, or discovered artifacts, or written just for you. Zeroville's no different, although it is perhaps the most readily graspable example of his work to date. The Rosetta Stone is there; the secret decoder ring is a film projector. The dizzying Hollywood confidential stylings will make your inner film geek happy, but the uncovering of a truly mythic cinematic story--since cinema has existed forever--of sacrifice and redemption is even more memorable. See also: this review.
Ursula Dubosarsky: The Red Shoe (Neal Porter Books)
Set in Sydney during WWII, this wonderful novel travels between the view from inside each of three sisters. Dubosarsky perfectly captures the differences that come from being the younger, older, or middle child. Perfectly conjuring the period, and yet creating a completely accessible story, the narrative contrasts chapters focusing on the family with interstitials from the Sydney newspapers of the time, stories of polio, the H-bomb, and a defecting Russian spy (who happens to be in hiding next door). Nothing here is heavy-handed. Everything is perfectly balanced. It's a beautiful, beautiful novel. See my full take here.

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